TAD LAURITZEN WRIGHT

What Kind Of Question Is That In A Time Like This
N 06 oct - 14 nov
Several Ways to Become Misunderstood I
Several Ways to Become Misunderstood I
Several Ways to Become Misunderstood II
Several Ways to Become Misunderstood II
Several Ways to Become Misunderstood III
Several Ways to Become Misunderstood III
Several Ways to Become Misunderstood IV
Several Ways to Become Misunderstood IV
An Easier Way to Get Lost
An Easier Way to Get Lost
Assuming Fair Comparison
Assuming Fair Comparison
Nobody Explained Which Parts Were Necessary
Nobody Explained Which Parts Were Necessary
Necessary Distance Between Organized Ideas
Necessary Distance Between Organized Ideas
Tlw Close Enough to Listen II 2026
Tlw Close Enough to Listen II 2026
Close Enough to Listen I
Close Enough to Listen I
Close Enough to Listen III
Close Enough to Listen III
Remembering Your Shape Differently
Remembering Your Shape Differently
Conclusions Before We Understood
Conclusions Before We Understood
When the Plot Changes IV
When the Plot Changes IV
When the Plot Changes V
When the Plot Changes V
When the Plot Changes VI
When the Plot Changes VI
When the Plot Changes VII
When the Plot Changes VII
When the Plot Changes VIII
When the Plot Changes VIII
When the Plot Changes IX
When the Plot Changes IX
When the Plot Changes X
When the Plot Changes X
When the Plot Changes XI
When the Plot Changes XI
When the Plot Changes XII
When the Plot Changes XII
When the Plot Changes XIII
When the Plot Changes XIII
Several Ways to Become Misunderstood I
Several Ways to Become Misunderstood I
acrylic on canvas, 21.25x17.25"
2026
Several Ways to Become Misunderstood II
Several Ways to Become Misunderstood II
acrylic on canvas, 21.25x17.25"
2026
Several Ways to Become Misunderstood III
Several Ways to Become Misunderstood III
acrylic on canvas, 21.25x17.25"
2026
Several Ways to Become Misunderstood IV
Several Ways to Become Misunderstood IV
acrylic on canvas, 21.25x17.25"
2026
An Easier Way to Get Lost
An Easier Way to Get Lost
acrylic on canvas, 60.25x41.5"
2026
Assuming Fair Comparison
Assuming Fair Comparison
acrylic, baltic birch, & cedar, 48.75x15.5x7.75"
2026
Nobody Explained Which Parts Were Necessary
Nobody Explained Which Parts Were Necessary
arcylic on birch, 96.25x10x10.5"
2026
Necessary Distance Between Organized Ideas
Necessary Distance Between Organized Ideas
acrylic on Baltic birch, 41.5x54.5"
2026
Tlw Close Enough to Listen II 2026
Tlw Close Enough to Listen II 2026
Close Enough to Listen I
Close Enough to Listen I
acrylic on Baltic birch, 29x21.5"
2026
Close Enough to Listen III
Close Enough to Listen III
acrylic on Baltic birch, 29.25x21"
2026
Remembering Your Shape Differently
Remembering Your Shape Differently
acrylic and pencil on canvas, 41.5x31"
2026
Conclusions Before We Understood
Conclusions Before We Understood
acrylic and pencil on canvas, 120x144"
2026
When the Plot Changes IV
When the Plot Changes IV
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes V
When the Plot Changes V
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes VI
When the Plot Changes VI
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes VII
When the Plot Changes VII
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes VIII
When the Plot Changes VIII
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes IX
When the Plot Changes IX
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes X
When the Plot Changes X
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes XI
When the Plot Changes XI
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes XII
When the Plot Changes XII
watercolor and ink on Rives BFK, 11.25x7"
2026
When the Plot Changes XIII
When the Plot Changes XIII
watercolor and ink on Rives BFK, 11.25x7"
2026

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